Zhuangzi’s so-called ‘wandering mind’ expresses a state of spiritual comfort within the universe, and an achievement of a state of harmony, tranquility, infinity and nature.By synthesising Chinese traditional culture with modern elements, these image interfaces have replaced the traditional painting’s function of introducing and interpreting the world and reality, going beyond the borrowing of ‘form’ to achieve the extension of ‘meaning.’ The viewer seems to cross the distance between themselves and the image, conveying a way of looking at the world, and a longing and pursuit of spiritual freedom beyond reality.
