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Kalunga Empire

Corte do Império Kalunga

Kalunga Empire

Fernão CapelobyFernão Capelo
10 de August de 2025
in Photo Essay

Selected in FotoDoc Photo Contest 2025

Every year during one week in August, Vão das Almas—in rural Cavalcante, northern Goiás—transforms into a living sanctuary. Kalunga quilombolas journey from across their territory along dirt roads and cerrado trails to honor Our Lady of Abadia and the Divine Holy Spirit—a festival fusing devotion, memory, and resistance.

For these days, a temporary city rises in the sertão’s heart: palm-thatch shelters are built, families pitch camps, colored pennants flutter in wind, and cerrado dust welcomes processions, novenas, forró circles, and communal feasts. This is time for reunion—among families, across eras, between generations.

The festival is organized by a committee of festeiros led by the Emperor of the Divine—central figure mobilizing communities, gathering provisions, and coordinating rituals. The same structure guides devotion to Our Lady of Abadia, where the Emperor yields to the King and Queen of the Kalunga Empire. At celebration’s end, new festeiros are chosen, ensuring this tradition’s passage across generations.

This brief essay glimpses that legacy: a portrait of colors and faith enduring in deep Brazil’s heart.

Translated with Deepseek AI

 

Imperador do Divino e sua corte
Jovens Kalungas
Tradição musical
Banquete do imperador
Procissão das Luzes
“Garçom” de Nossa Senhora da Abadia
Fim de tarde no Império Kalunga

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Fernão Capelo

Fernão Capelo

Fernão Capelo de Amorim Rocha é fotógrafo documentarista amador, radicado em Brasília e com raízes em Oeiras (PI). Em 2024, conquistou o 2o lugar no Prêmio Mário de Andrade de Fotografias Etnográficas, promovido pelo CNFCP/IPHAN, com o ensaio “Lamparinas do Fogaréu”, que retrata a Procissão do Fogaréu de Oeiras. Em 2025, realizou a exposição individual “Lamparinas do Fogaréu” durante a Semana Santa em Oeiras, com curadoria de André Vilaron, e participou da 1a Mostra de Fotógrafos Oeirenses, promovida pela Casa Célis Carvalho. Com enfoque nas manifestações culturais e religiosas brasileiras, especialmente as de Oeiras, Fernão procura construir narrativas visuais pautadas pela valorização do território, da fé e da memória.

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