This project, developed in Haiti, is rooted in a relationship of proximity built over time. My work stems from a lived experience, both emotional and physical, shaped by contact with the places I moved through and the people I met. It is marked by a constant awareness: that I have the ability to leave, to step away from a place where others remain. This quiet asymmetry informs my position, my gaze, and the way the images take shape. My approach is grounded in sustained attention to what unfolds in the moment, within a shared space, without the need to control or to distance.
I am not trying to represent a country or to tell a story. What matters to me are the connections, the exchanges, the uncertain zones. The images emerge from these in-between spaces: they are built from restrained gestures, silences, and subtle tensions. My body shifts — sometimes close, sometimes withdrawn — always attentive to what does not fully reveal itself.
This work occupies an in-between space, where lived experience and photography overlap, where reference points slip and certainties fall away. It is not about asserting anything, but about allowing what was possible to surface.













