{"id":54890,"date":"2025-08-21T10:30:35","date_gmt":"2025-08-21T13:30:35","guid":{"rendered":"https:\/\/fotodoc.com.br\/nao-categorizado\/retirada-violenta\/"},"modified":"2025-09-23T09:42:00","modified_gmt":"2025-09-23T12:42:00","slug":"retirada-violenta","status":"publish","type":"post","link":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/","title":{"rendered":"Violent Removal"},"content":{"rendered":"

It feels comfortable for me to propose “Violent Removal”\u2014simply because I don\u2019t live it. Even more comfortable is ignoring violent removal\u2014simply because I don\u2019t live it. Acts of empathy, respect, and solidarity shouldn\u2019t provoke such discomfort.<\/h4>\n

A people historically\u00a0dispossessed<\/strong>\u00a0of lands proven productive. An indirect State that subverts parity, while private sectors dictate well-being\u2014a privilege\u00a0not for all<\/strong>. Subhumans deemed unfit for social ascent, thus unfit for fundamental rights.<\/p>\n

It\u2019s not uncommon to witness social ascent divorced from intellectual growth. The past 20 years starkly reveal this pattern in a country invaded by Portugal during primitive accumulation\u2014a foundation for capitalism\u2019s development. Yet perhaps because of this, people remain as they are. And it is this\u00a0intellectual dystopia<\/strong>\u00a0that interprets empathy, respect, and solidarity as exploitation, merit, or laziness. An induced amnesia or selective blindness that prevents us from confronting recent history and recognizing our own past anguish.<\/p>\n

Homes are scarce, yet properties abound. No land to grow food, but eucalyptus spawns\u00a0green deserts<\/strong>. Mineral extraction expropriates the wealth of cultures and traditions. And above all looms\u00a0waste<\/strong>.<\/p>\n

Esbulho possess\u00f3rio<\/em>\u00a0(possessory dispossession) is the violent removal of legitimate occupants\u2014residential, rural, or commercial. This is how I perceived the continuity of research presented in the photobook\u00a0Corpos Conflitantes<\/em>\u00a0(Conflictual Bodies).<\/p>\n

In this segment, invoking the memory of the\u00a0Fund\u00e3o Dam collapse<\/strong>\u00a0(Samarco\/Vale\/BHP), I document families criminally dispossessed of their homes.<\/p>\n

Translated with Deepseek AI<\/em><\/p>\n

\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

It feels comfortable for me to propose “Violent Removal”\u2014simply because I don\u2019t live it. Even more comfortable is ignoring violent removal\u2014simply because I don\u2019t live it. Acts of empathy, respect, and solidarity shouldn\u2019t provoke such discomfort. A people historically\u00a0dispossessed\u00a0of lands proven productive. An indirect State that subverts parity, while private sectors dictate well-being\u2014a privilege\u00a0not for […]<\/p>\n","protected":false},"author":526,"featured_media":47388,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"custom","parallax":"1","fullscreen":"1","layout":"no-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"hide","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0","single_blog_custom":"33052"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","override_template":"1","subtitle":""},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1284],"tags":[1288,2718,2784,1308,2776,2802],"edicao":[1357],"status_da_inscricao":[],"coauthors":[2280],"class_list":["post-54890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio-en","tag-destaque-2025-en","tag-finalista-2025-en","tag-fotodoc-photo-contest-2025-en","tag-portfolio-en","tag-premio-portfolio-fotodoc-2025-en","tag-winner-2025","edicao-fotodoc-photo-contest-2025"],"acf":[],"yoast_head":"\nViolent Removal - FotoDoc<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Violent Removal - FotoDoc\" \/>\n<meta property=\"og:description\" content=\"It feels comfortable for me to propose “Violent Removal”\u2014simply because I don\u2019t live it. 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P\u00f3s Graduado em Cinema e Linguagem Audiovisual pela Est\u00e1cio de S\u00e1 (2019). Gradua\u00e7\u00e3o em Comunica\u00e7\u00e3o Social \\\/ Jornalismo pelo Centro Universit\u00e1rio do Leste de Minas Gerais (2006). Al\u00e9m de forma\u00e7\u00e3o internacional no Centro de Fotografia de Montevideo (CDF) e pela Escuela Internacional de Cine Y TV (EICTV), em Cuba. Atuando principalmente nas \u00e1reas de fotografia e audiovisual. Jornalista independente colabora com Greenpeace, Brasil de Fato, Ag\u00eancia P\u00fablica, AFP (Agence France Press), REUTERS, The Intercept Brasil, MAM (Movimento Pela Soberania Popular na Minera\u00e7\u00e3o), MST (Movimento dos Trabalhadores Rurais Sem Terra), ASA (Articula\u00e7\u00e3o do Semi\u00e1rido), MAB (Movimento dos Atingidos por Barragens), CAV (Centro de Agricultura Alternativa Vicente Nica), Sind-UTE (Sindicato \u00danico dos Trabalhadore em Educa\u00e7\u00e3o de Minas Gerais), M\u00eddia Ninja e outros. Autor de document\u00e1rios como \\\"Maura e Robinson\\\" que conta a hist\u00f3ria de dois ex-presos pol\u00edticos, \\\"Senta a Pua\\\" (que fala do massacre de trabalhadores da Usiminas, em Ipatinga\\\/MG em 1963) e da webs\u00e9rie \\\"Massacre de Ipatinga: vers\u00e3o dos autos\\\"; \\\"Fragmentos de um Conflito Iminente\\\" (trazendo movimenta\u00e7\u00f5es iniciais para o golpe civil militar de 1964); \\\"Esperan\u00e7a Liberdade Novo Horizonte\\\" (um ponto de vista sobre uma ocupa\u00e7\u00e3o do MST no leste de Minas Gerais); \\\"Remanesc\u00eancia\\\"(fazendo um registro das tradi\u00e7\u00f5es africanas nas comunidades quilombolas do Ausente e Ba\u00fa, na cidade do Serro\\\/MG). Lan\u00e7ou em 2017 o fotolivro \\\"Corpos Conflitantes\\\", que recebeu o pr\u00eamio \\\"M\u00eddia e Direitos Humanos\\\" da Secretaria de Estado de Direitos Humanos, Participa\u00e7\u00e3o Social e Cidadania de Minas Gerais. Possui uma viv\u00eancia no Vale do Jequitinhonha\\\/MG desde 2008 e desde o rompimento das barragens de Fund\u00e3o e Mina C\u00f3rrego do Feij\u00e3o, acompanha desdobramentos desses crimes socioambientais. O trabalho \u201cRetirada Violenta\u201d tem circulado por festivais no Brasil e no mundo e recebeu uma Men\u00e7\u00e3o Especial da ONU Migraci\u00f3n em 2021. Em 2023 foi homenageado com o Trof\u00e9u Chico Ferramente de Direitos Humanos, pelo document\u00e1rio \\\"Senta a Pua\\\". Em 2024 foi premiado pelo CNPq por uma imagem de sua pesquisa no Quilombo do Ausente.\",\"sameAs\":[\"https:\\\/\\\/nilmarlage.com.br\\\/\",\"https:\\\/\\\/www.instagram.com\\\/nilmarlage\"],\"url\":\"https:\\\/\\\/fotodoc.com.br\\\/en\\\/fotografo\\\/nilmar-lage\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Violent Removal - FotoDoc","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/","og_locale":"en_US","og_type":"article","og_title":"Violent Removal - FotoDoc","og_description":"It feels comfortable for me to propose “Violent Removal”\u2014simply because I don\u2019t live it. Even more comfortable is ignoring violent removal\u2014simply because I don\u2019t live it. Acts of empathy, respect, and solidarity shouldn\u2019t provoke such discomfort. 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An indirect State that subverts parity, while private sectors dictate well-being\u2014a privilege\u00a0not for […]","og_url":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/","og_site_name":"FotoDoc","article_publisher":"https:\/\/www.facebook.com\/festivalfotodoc","article_published_time":"2025-08-21T13:30:35+00:00","article_modified_time":"2025-09-23T12:42:00+00:00","og_image":[{"width":1920,"height":1280,"url":"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/06\/PPF2025-Retirada-Vioelnta_Nilmar-Lage-0-1.jpg","type":"image\/jpeg"}],"author":"Nilmar Lage","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Nilmar Lage","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/#article","isPartOf":{"@id":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/"},"author":{"name":"Nilmar Lage","@id":"https:\/\/fotodoc.com.br\/#\/schema\/person\/1e1beacceac7c99bc7d3d97596796609"},"headline":"Violent Removal","datePublished":"2025-08-21T13:30:35+00:00","dateModified":"2025-09-23T12:42:00+00:00","mainEntityOfPage":{"@id":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/"},"wordCount":248,"publisher":{"@id":"https:\/\/fotodoc.com.br\/#organization"},"image":{"@id":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/#primaryimage"},"thumbnailUrl":"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/06\/PPF2025-Retirada-Vioelnta_Nilmar-Lage-0-1.jpg","keywords":["destaque 2025","finalista 2025","FotoDoc Photo Contest 2025","Portfolio","Pr\u00eamio Portf\u00f3lio FotoDoc 2025","winner 2025"],"articleSection":["Portfolio"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/","url":"https:\/\/fotodoc.com.br\/en\/portfolio-en\/retirada-violenta\/","name":"Violent Removal - 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P\u00f3s Graduado em Cinema e Linguagem Audiovisual pela Est\u00e1cio de S\u00e1 (2019). Gradua\u00e7\u00e3o em Comunica\u00e7\u00e3o Social \/ Jornalismo pelo Centro Universit\u00e1rio do Leste de Minas Gerais (2006). Al\u00e9m de forma\u00e7\u00e3o internacional no Centro de Fotografia de Montevideo (CDF) e pela Escuela Internacional de Cine Y TV (EICTV), em Cuba. Atuando principalmente nas \u00e1reas de fotografia e audiovisual. Jornalista independente colabora com Greenpeace, Brasil de Fato, Ag\u00eancia P\u00fablica, AFP (Agence France Press), REUTERS, The Intercept Brasil, MAM (Movimento Pela Soberania Popular na Minera\u00e7\u00e3o), MST (Movimento dos Trabalhadores Rurais Sem Terra), ASA (Articula\u00e7\u00e3o do Semi\u00e1rido), MAB (Movimento dos Atingidos por Barragens), CAV (Centro de Agricultura Alternativa Vicente Nica), Sind-UTE (Sindicato \u00danico dos Trabalhadore em Educa\u00e7\u00e3o de Minas Gerais), M\u00eddia Ninja e outros. Autor de document\u00e1rios como \"Maura e Robinson\" que conta a hist\u00f3ria de dois ex-presos pol\u00edticos, \"Senta a Pua\" (que fala do massacre de trabalhadores da Usiminas, em Ipatinga\/MG em 1963) e da webs\u00e9rie \"Massacre de Ipatinga: vers\u00e3o dos autos\"; \"Fragmentos de um Conflito Iminente\" (trazendo movimenta\u00e7\u00f5es iniciais para o golpe civil militar de 1964); \"Esperan\u00e7a Liberdade Novo Horizonte\" (um ponto de vista sobre uma ocupa\u00e7\u00e3o do MST no leste de Minas Gerais); \"Remanesc\u00eancia\"(fazendo um registro das tradi\u00e7\u00f5es africanas nas comunidades quilombolas do Ausente e Ba\u00fa, na cidade do Serro\/MG). Lan\u00e7ou em 2017 o fotolivro \"Corpos Conflitantes\", que recebeu o pr\u00eamio \"M\u00eddia e Direitos Humanos\" da Secretaria de Estado de Direitos Humanos, Participa\u00e7\u00e3o Social e Cidadania de Minas Gerais. Possui uma viv\u00eancia no Vale do Jequitinhonha\/MG desde 2008 e desde o rompimento das barragens de Fund\u00e3o e Mina C\u00f3rrego do Feij\u00e3o, acompanha desdobramentos desses crimes socioambientais. O trabalho \u201cRetirada Violenta\u201d tem circulado por festivais no Brasil e no mundo e recebeu uma Men\u00e7\u00e3o Especial da ONU Migraci\u00f3n em 2021. Em 2023 foi homenageado com o Trof\u00e9u Chico Ferramente de Direitos Humanos, pelo document\u00e1rio \"Senta a Pua\". Em 2024 foi premiado pelo CNPq por uma imagem de sua pesquisa no Quilombo do Ausente.","sameAs":["https:\/\/nilmarlage.com.br\/","https:\/\/www.instagram.com\/nilmarlage"],"url":"https:\/\/fotodoc.com.br\/en\/fotografo\/nilmar-lage\/"}]}},"_links":{"self":[{"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/posts\/54890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/users\/526"}],"replies":[{"embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/comments?post=54890"}],"version-history":[{"count":1,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/posts\/54890\/revisions"}],"predecessor-version":[{"id":54891,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/posts\/54890\/revisions\/54891"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/media\/47388"}],"wp:attachment":[{"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/media?parent=54890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/categories?post=54890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/tags?post=54890"},{"taxonomy":"edicao","embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/edicao?post=54890"},{"taxonomy":"status_da_inscricao","embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/status_da_inscricao?post=54890"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fotodoc.com.br\/en\/wp-json\/wp\/v2\/coauthors?post=54890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}