{"id":54937,"date":"2025-08-20T02:00:59","date_gmt":"2025-08-20T05:00:59","guid":{"rendered":"https:\/\/fotodoc.com.br\/nao-categorizado\/qual-historia-contamos\/"},"modified":"2025-09-23T09:41:34","modified_gmt":"2025-09-23T12:41:34","slug":"qual-historia-contamos","status":"publish","type":"post","link":"https:\/\/fotodoc.com.br\/en\/photo-essay\/qual-historia-contamos\/","title":{"rendered":"Which Story We Tell"},"content":{"rendered":"
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This work began in the early 2000s during a high school field trip to Reden\u00e7\u00e3o\u2014Cear\u00e1\u2019s first city to free enslaved people. Visiting the\u00a0Museu Negro Liberto<\/em>\u00a0(Liberated Black Museum), I recall entering through the\u00a0Casa Grande<\/strong>\u00a0(master\u2019s house): the spacious residence of a white family where textbook history materialized before me. Preserved objects and furniture filled its rooms; framed portraits displayed a social class\u2019s luxury and impunity. Outside lay deactivated sugarcane mills, once powered by sweat and pain. To the left, a sign announced my first encounter with a\u00a0senzala<\/strong>\u00a0(slave quarters).<\/h4>\n

As large as the master\u2019s house but doorless, its entrance was a\u00a0small crawl-through hole<\/strong>. Inside: a dark space radiating panic, now home only to bats. Torture tools hung on walls.\u00a0The air vanished from my lungs.<\/strong><\/p>\n

Profound discomfort consumed me, preventing full exploration. An unforgettable, shattering experience.<\/p>\n

Over 21 years later, I returned to Reden\u00e7\u00e3o with fellow photographers. The museum remained unchanged\u2014until the senzala. To my shock, it was transformed: a gate now opened to a\u00a0light-filled entryway. Air circulated.<\/strong><\/p>\n

Torture tools were replaced by wall paintings depicting Black suffering. Venturing deeper (this time I could proceed), I found a white room with drawings of African deities:\u00a0Exu, Ogum, Ians\u00e3, Iemanj\u00e1.<\/strong><\/p>\n

My controlled unease shattered when the guide declared:\u00a0\u201cThis room honors the slaves,\u201d<\/em>\u00a0adding,\u00a0\u201cThey were good masters.\u201d<\/em><\/p>\n

From this discomfort, revolt, and white-hot indignation emerged images portraying two distinct realities within Brazil\u2019s history\u2014a history still romanticized by those who, out of shame, hide or erase immeasurable human cruelty.<\/p>\n

Beware the history you narrate.<\/strong><\/p>\n

Translated with Deepseek AI<\/em><\/p>\n

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This work began in the early 2000s during a high school field trip to Reden\u00e7\u00e3o\u2014Cear\u00e1\u2019s first city to free enslaved people. Visiting the\u00a0Museu Negro Liberto\u00a0(Liberated Black Museum), I recall entering through the\u00a0Casa Grande\u00a0(master\u2019s house): the spacious residence of a white family where textbook history materialized before me. Preserved objects and furniture filled its rooms; framed […]<\/p>\n","protected":false},"author":1299,"featured_media":39971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","override":[{"template":"custom","parallax":"1","fullscreen":"1","layout":"no-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"hide","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0","single_blog_custom":"33052"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0","override_template":"1","subtitle":""},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1281],"tags":[1288,2718,2784,1309,2776,2802],"edicao":[1357],"status_da_inscricao":[],"coauthors":[1919],"class_list":["post-54937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photo-essay","tag-destaque-2025-en","tag-finalista-2025-en","tag-fotodoc-photo-contest-2025-en","tag-photo-essay","tag-premio-portfolio-fotodoc-2025-en","tag-winner-2025","edicao-fotodoc-photo-contest-2025"],"acf":[],"yoast_head":"\nWhich Story We Tell - FotoDoc<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fotodoc.com.br\/en\/photo-essay\/qual-historia-contamos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Which Story We Tell - FotoDoc\" \/>\n<meta property=\"og:description\" content=\"This work began in the early 2000s during a high school field trip to Reden\u00e7\u00e3o\u2014Cear\u00e1\u2019s first city to free enslaved people. 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