{"id":56079,"date":"2025-09-10T09:02:12","date_gmt":"2025-09-10T12:02:12","guid":{"rendered":"https:\/\/fotodoc.com.br\/nao-categorizado\/gabriela-fernandes-nos-trilhos-do-tempo-a-heranca-que-danca\/"},"modified":"2025-09-12T16:18:49","modified_gmt":"2025-09-12T19:18:49","slug":"gabriela-fernandes-on-the-tracks-of-time-the-dancing-heritage","status":"publish","type":"post","link":"https:\/\/fotodoc.com.br\/en\/profiles\/gabriela-fernandes-on-the-tracks-of-time-the-dancing-heritage\/","title":{"rendered":"Gabriela Fernandes: On the Tracks of Time, the Dancing Heritage"},"content":{"rendered":"

Gabriela Fernandes<\/strong><\/a> weaves a body of work that unites design, anthropology, and documentary devotion. At 32 years old, the creative director and photographer moves between her studio and the roads of Brazil through Percurso Vivo<\/strong><\/a> \u2013 an itinerant authorial project dedicated to recording the festivals and manifestations of Brazilian popular culture. Trained in Graphic Design with a specialization in Cultural Anthropology, she found in photography not just a language, but a mission: to perpetuate living fragments of the country’s collective memory.<\/h4>\n

Her image “Ancestral Future<\/strong><\/a>“, a finalist in the Single Image category of the FotoDoc Photo Contest 2025<\/strong><\/a>, is a powerful symbol of this quest. Captured during the Festa de S\u00e3o Benedito in Aparecida (SP) \u2013 the largest gathering of congadas in the state \u2013 the photograph captures a moment of rare poetry: on the tracks of a train, which stretch out like a timeline, a congadeiro father carries his son on his shoulders, both dressed in the traditional clothes of the congada. More than a family scene, the image reveals the concrete transmission of a legacy \u2013 those who are present are not just father and son, but all the previous generations who kept this tradition alive as an act of resistance. The work synthesizes three years of research dedicated to documenting cultural manifestations, showing how the ancestral heritage is carried literally and metaphorically into the future.<\/h4>\n

Learn more about this journey of recording and cultural safeguarding in the following interview.<\/h4>\n

\"\"
ODOYA [02 de Fevereiro, Salvador – BA, 2022]
“Enquanto os encantos ecoam do mar, a mesma \u00e1gua que salga cura.” – Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>
\"\"
CABOCLO GUERREIRO | Maracatu Carneiro da Serra [FIG, Garanhuns – PE, 2023] – Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>
\"\"
ALVORADA [Festa de S\u00e3o Benedito, Aparecida – SP, 2024]
– Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure><\/p>\n
\n
\n

How old are you? Where do you currently live and work?<\/strong><\/em><\/p>\n

I am 32 years old and I live in Cunha, in the interior of S\u00e3o Paulo. I have a degree in Graphic Design, with a specialization in Cultural Anthropology, and I work as a creative director in my studio, where I develop design and animation projects. In parallel, I run Percurso Vivo, an itinerant authorial project for research and documentation \u2013 through photography and documentary \u2013 of the festivals and manifestations of Brazilian popular culture.<\/p>\n

Tell us about your journey in photography. When did you start photographing and why? What role does photography play in your life?<\/strong><\/em><\/p>\n

My first photography lesson was at 13 years old, in a school workshop. I remember the teacher, a photojournalist, taught us the rules so that we could break them. He said we should hold the camera firmly, and he challenged us to see beyond what was in front of our eyes. We could photograph however we wanted \u2013 as long as there was intention.<\/p>\n

Almost twenty years later, I remain completely in love with photography and seek to see beyond what is visible. In recording Brazilian cultural manifestations, I found my purpose, where I can, in some way, help perpetuate and safeguard fragments of our culture. Today, documentary photography occupies a central place in my life. Any opportunity to document is non-negotiable \u2013 be it at a Folia de Reis, a Festa de S\u00e3o Benedito, or any celebration that keeps the collective memory alive.<\/p>\n<\/div>\n<\/div>\n

\"\"
Mateus & Basti\u00e3o | Cavalo Marinho Estrela Brilhante [Goiana – PE, 2023]- Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>
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CABOCLO | Maracatu Carneiro da Serra [FIG, Garanhuns – PE, 2023]- Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>
\"\"
LAMBE-SUJO [Lambe-sujo & Caboclinho, Laranjeiras – SE, 2023]
“Estava capinando,
A Princesa me chamou
A levanta, Nego CATIVEIRO SE ACABOU”- Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure><\/p>\n
\n
\n

Tell us about your finalist work for the FotoDoc Photo Contest 2025. When and where was it created? What is its concept? How does it fit into your photographic practice?<\/strong><\/em><\/p>\n

The photograph “Ancestral Future” was taken in Aparecida (SP), during the Festa de S\u00e3o Benedito \u2013 the largest gathering of congadas in the State of S\u00e3o Paulo. It is part of research I have been conducting for over three years, dedicated to documenting Brazilian cultural manifestations.<\/p>\n

In the image, on the train tracks, as if on a timeline, a congadeiro father carries his son, also dressed in the congada attire. Those who are present in the photo are not just father and son, but all those who came before them, keeping the traditions alive as an act of resistance.<\/p>\n

What projects are you currently working on? What are your near-future plans for photographic production?<\/strong><\/em><\/p>\n

My main project today is Percurso Vivo, in which I document, through photographs and documentaries, the manifestations of Brazilian popular culture. My goal is to increasingly expand this mapping, reaching celebrations that are still little known, to reveal and share with the world all the richness and beauty of Brazil.<\/p>\n<\/div>\n<\/div>\n

\"\"<\/p>\n

CONGADEIRA MIRIM | Catup\u00e9 Tamboril [Festa de Nossa Senhora do Ros\u00e1rio, Dores do Indai\u00e1 – MG, 2024]- Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025

\"\"
MATEUS GAIATO [Reisado Mestre Aldenir, Crato – CE, 2023]- Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>
\"SALVE
Imagem do Portf\u00f3lio Percurso Vivo, de Gabriela Fernandes, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure><\/p>\n

Click here and discover FotoDoc Photo Contest 2025 Finalists<\/em><\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

Gabriela Fernandes weaves a body of work that unites design, anthropology, and documentary devotion. At 32 years old, the creative director and photographer moves between her studio and the roads of Brazil through Percurso Vivo \u2013 an itinerant authorial project dedicated to recording the festivals and manifestations of Brazilian popular culture. Trained in Graphic Design […]<\/p>\n","protected":false},"author":2,"featured_media":41805,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"no-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"hide","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1298],"tags":[2771,1290,2681,2722,764],"edicao":[],"status_da_inscricao":[],"coauthors":[771],"class_list":["post-56079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-profiles","tag-cultura-popular-en","tag-fotodoc-photo-contest-2025","tag-gabriela-fernandes-en","tag-perfil-en","tag-premio-portfolio-fotodoc-2025"],"acf":[],"yoast_head":"\nGabriela Fernandes: On the Tracks of Time, the Dancing Heritage - FotoDoc<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fotodoc.com.br\/perfis\/gabriela-fernandes-nos-trilhos-do-tempo-a-heranca-que-danca\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabriela Fernandes: On the Tracks of Time, the Dancing Heritage - FotoDoc\" \/>\n<meta property=\"og:description\" content=\"Gabriela Fernandes weaves a body of work that unites design, anthropology, and documentary devotion. 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