{"id":56082,"date":"2025-09-21T08:30:23","date_gmt":"2025-09-21T11:30:23","guid":{"rendered":"https:\/\/fotodoc.com.br\/nao-categorizado\/vinicius-xavier-quando-os-eguns-ecoam-no-presente\/"},"modified":"2025-09-12T16:23:41","modified_gmt":"2025-09-12T19:23:41","slug":"vinicius-xavier-when-the-eguns-echo-in-the-present","status":"publish","type":"post","link":"https:\/\/fotodoc.com.br\/en\/profiles\/vinicius-xavier-when-the-eguns-echo-in-the-present\/","title":{"rendered":"Vinicius Xavier: When the Eguns Echo in the Present"},"content":{"rendered":"

In Salvador, where he lives and works, Vinicius Xavier<\/strong><\/a> builds a photography that is simultaneously priesthood, anthropological research, and political act. At 46 years old, the photographer \u2013 also an Ogan of Xang\u00f4 at the Terreiro Il\u00ea Ax\u00e9 Icimim\u00f3 in Cachoeira-BA \u2013 has been developing since 2003 a visual discourse dedicated to the enchantment of Afro-Brazilian popular culture, driven by the urgency to leave a legacy of the “Brazil he dreamed of.” With a background in Communication and Anthropology, his work moves between international festivals and the daily devotion to the terreiros (houses of worship), creating a bridge between tradition and contemporaneity.<\/h4>\n

His essay “ECO EGUM<\/strong><\/a>“, a finalist in the Photo Essay category of the FotoDoc Photo Contest 2025<\/strong><\/a>, is a bold visual intervention on the open wounds of slavery. Using the Feira de S\u00e3o Joaquim \u2013 a predominantly Black popular market in Salvador \u2013 as a microcosm of Brazil, Xavier digitally inserts images of enslaved African people (photographed by Christiano Jr. in the 19th century) into the contemporary setting of the market. The result is a disturbing fabulation where past and present coexist: ancestors and descendants share the same space, questioning the notion of time and highlighting how the colonial enterprise still echoes in Brazilian society. More than a denunciation, the project is a ritual of visibility \u2013 a photographic summons for us to confront the unresolved historical issues that haunt our future.<\/h4>\n

Learn more about this visceral work and the projects that honor ancestry in the following interview.<\/h4>\n
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Imagem do Ensaio ECO EGUM, de Vinicius Xavier, finalista do Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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Imagem do Ensaio ECO EGUM, de Vinicius Xavier, finalista do Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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Imagem do Ensaio ECO EGUM, de Vinicius Xavier, finalista do Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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How old are you? Where do you currently live and work?<\/strong><\/em><\/p>\n

I am 46 years old, I live, reside, and work in Salvador-BA.<\/p>\n

Tell us about your journey in photography. When did you start photographing and why? What role does photography play in your life?<\/strong><\/em><\/p>\n

I started photographing in 2003 with the intention of building an authorial body of work with Contemporary Documentary Photography, driven by the enthusiasm I feel for Afro-Brazilian popular culture. Photography for me is a priesthood, a life project; I want to leave a legacy of the Brazil I dreamed of.<\/p>\n

[Minibio] VINICIUS XAVIER [1979, based in Salvador-BA-BRA] is the father of Caymmi and Elza. Ogan of Xang\u00f4 at the Terreiro Il\u00ea Ax\u00e9 Icimim\u00f3, Cachoeira-BA. Graduated in Social Communication and post-graduated in Anthropology. He is a collector of popular art and Brazilian popular music on vinyl. An authorial photographer since 2003, his visual discourse proposes an enchantment with Afro-Brazilian popular culture.<\/p>\n<\/div>\n<\/div>\n

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Imagem do Ensaio ECO EGUM, de Vinicius Xavier, finalista do Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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Imagem do Ensaio ECO EGUM, de Vinicius Xavier, finalista do Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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Imagem do Ensaio ECO EGUM, de Vinicius Xavier, finalista do Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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Tell us about your finalist work for the FotoDoc Photo Contest 2025. When and where was it created? What is its concept? How does it fit into your photographic practice?<\/strong><\/em><\/p>\n

The ECO EGUM essay is a long-held desire I had to create a work about the main event that defined our society: slavery and the type of colonization that was implemented here. I ended up using the Feira de S\u00e3o Joaquim in Salvador-BA as a microcosm of Brazil.<\/p>\n

All my photographic production is built with the aim of valuing Afro-Brazilian popular culture and thinking about Brazil in its most marvelous characteristics and also in its complexities, in its challenges.<\/p>\n

What projects are you currently working on? What are your near-future plans for photographic production?<\/strong><\/em><\/p>\n

I have recently finished this ECO EGUM Essay; I will circulate it a bit at some photography festivals and then resume the project for my book about the Candombl\u00e9 Terreiro Il\u00ea Ax\u00e9 Icimim\u00f3, the house where I am an Ogan in the city of Cachoeira-BA, which is listed by IPHAN and IPAC. I need to “settle” the images I have been producing there for over a decade.<\/p>\n<\/div>\n<\/div>\n

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Ben\u00e7a aos mais velhos, Imagem Destacada de Vinicius Xavier, selecionada no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n
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Futuro Ancestral, Imagem Destacada de Vinicius Xavier, selecionada no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n

Click here and discover FotoDoc Photo Contest 2025 Finalists<\/em><\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"

In Salvador, where he lives and works, Vinicius Xavier builds a photography that is simultaneously priesthood, anthropological research, and political act. At 46 years old, the photographer \u2013 also an Ogan of Xang\u00f4 at the Terreiro Il\u00ea Ax\u00e9 Icimim\u00f3 in Cachoeira-BA \u2013 has been developing since 2003 a visual discourse dedicated to the enchantment of […]<\/p>\n","protected":false},"author":2,"featured_media":49394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"no-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"hide","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1298],"tags":[1288,2721,2727,1290,2722,764,2715],"edicao":[],"status_da_inscricao":[],"coauthors":[771],"class_list":["post-56082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-profiles","tag-destaque-2025-en","tag-documental-en","tag-experimental-en","tag-fotodoc-photo-contest-2025","tag-perfil-en","tag-premio-portfolio-fotodoc-2025","tag-vinicius-xavier-en"],"acf":[],"yoast_head":"\nVinicius Xavier: When the Eguns Echo in the Present - FotoDoc<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fotodoc.com.br\/perfis\/vinicius-xavier-quando-os-eguns-ecoam-no-presente\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vinicius Xavier: When the Eguns Echo in the Present - FotoDoc\" \/>\n<meta property=\"og:description\" content=\"In Salvador, where he lives and works, Vinicius Xavier builds a photography that is simultaneously priesthood, anthropological research, and political act. 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