{"id":56241,"date":"2025-09-20T08:30:14","date_gmt":"2025-09-20T11:30:14","guid":{"rendered":"https:\/\/fotodoc.com.br\/nao-categorizado\/fernanda-eisfeld-where-sacred-water-meets-the-sands-of-time\/"},"modified":"2025-09-16T08:36:31","modified_gmt":"2025-09-16T11:36:31","slug":"fernanda-eisfeld-where-sacred-water-meets-the-sands-of-time","status":"publish","type":"post","link":"https:\/\/fotodoc.com.br\/en\/profiles\/fernanda-eisfeld-where-sacred-water-meets-the-sands-of-time\/","title":{"rendered":"Fernanda Eisfeld: Where Sacred Water Meets the Sands of Time"},"content":{"rendered":"<h4>Born 34 years ago in Curitiba and now based in S\u00e3o Paulo, <a href=\"https:\/\/fotodoc.com.br\/en\/fotografo\/fernanda-eisfeld\/\" target=\"_blank\" rel=\"noopener\"><strong>Fernanda Eisfeld<\/strong> <\/a>builds a nomadic trajectory that unites photography, architecture, and ancestry. With work that spreads across territories and continents, she transforms the camera into an instrument for listening to spaces, developing the concept of &#8220;affective documentation of habitats.&#8221; Her relationship with imagery comes from childhood, among albums and glass negatives from her photographer grandfather \u2013 who raffled off his camera to pay for his wedding to her grandmother, a gesture without which Fernanda herself might not exist. This family heritage made her understand that images carry much more than records: they contain gestures, smells, silences, and memories that insist on persisting.<\/h4>\n<h4>Her image &#8220;<a href=\"https:\/\/fotodoc.com.br\/en\/single-image\/oxum-nos-lencois-maranhenses\/\" target=\"_blank\" rel=\"noopener\"><strong>Oxum in Len\u00e7\u00f3is Maranhenses<\/strong><\/a>&#8221; a finalist in the Single Image category of the <a href=\"https:\/\/fotodoc.com.br\/en\/contest\/finalists-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>FotoDoc Photo Contest 2025<\/strong><\/a>, is a cinematic still that transcends its origin to become a powerful symbol of resistance. Captured during the filming of the movie Mocambo by Gustavo Havelange, the photograph documents the encounter between body and territory where the presence of Oxum \u2013 orisha of fresh waters \u2013 reverberates in the vast white and liquid expanse of the Len\u00e7\u00f3is Maranhenses, evoking healing, fertility, and protection. Behind the dreamlike beauty, however, echoes the silent tension of an Amazonian Maranh\u00e3o where traditional communities and territories face threats from land grabbing, deforestation, and monoculture. The work perfectly synthesizes Eisfeld&#8217;s practice: a gesture simultaneously poetic and political to preserve, in light and color, that which insists on surviving in the face of destruction.<\/h4>\n<h4>Learn more about this journey between architecture, cinema, and ancestral memory in the following interview.<\/h4>\n<figure id=\"attachment_53894\" aria-describedby=\"caption-attachment-53894\" style=\"width: 1920px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-53894\" src=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld.jpg 1920w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-300x169.jpg 300w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-1024x576.jpg 1024w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-768x432.jpg 768w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-1536x864.jpg 1536w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-600x338.jpg 600w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-750x422.jpg 750w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-01-Fernanda-Eisfeld-1140x641.jpg 1140w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-53894\" class=\"wp-caption-text\">Imagem do Ensaio Mulheres de Mocambo, de Fernanda Eisfeld, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n<figure id=\"attachment_53896\" aria-describedby=\"caption-attachment-53896\" style=\"width: 1920px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-53896\" src=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld.jpg 1920w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-300x169.jpg 300w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-1024x576.jpg 1024w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-768x432.jpg 768w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-1536x864.jpg 1536w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-600x338.jpg 600w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-750x422.jpg 750w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-02-Fernanda-Eisfeld-1140x641.jpg 1140w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-53896\" class=\"wp-caption-text\">Imagem do Ensaio Mulheres de Mocambo, de Fernanda Eisfeld, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n<div class=\"ds-message _656c965\">\n<div class=\"ds-markdown\">\n<p class=\"ds-markdown-paragraph\"><em><strong>How old are you? Where do you currently live and work?<\/strong><\/em><\/p>\n<p>I was born 34 years ago in Curitiba and, today, I live in S\u00e3o Paulo. My work spreads across different territories and continents, between displacements, fields, and cities. My dwelling is where I find stories and landscapes to document.<\/p>\n<p class=\"ds-markdown-paragraph\"><em><strong>Tell us about your journey in photography. When did you start photographing and why? What role does photography play in your life?<\/strong><\/em><\/p>\n<p>During childhood, among boxes and albums from my grandfather&#8217;s archive, with glass and film negatives from the 1940s and 1950s, which held entire worlds in small rectangles of light and shadow, I immersed myself in photography. My grandfather worked as a photographer before anything else, but he raffled off his camera to pay for his wedding to my grandmother. Perhaps I wouldn&#8217;t exist without such detachment. But ancestry is strong, and I understood that images are more than mere records: they contain gestures, smells, the silence of a place. As an architect and urban planner, I learned to read spaces; with the camera, I learned to listen to them to create an affective documentation of habitats, preserving what time tries to erase, but memory insists on keeping.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<figure id=\"attachment_53900\" aria-describedby=\"caption-attachment-53900\" style=\"width: 1281px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-53900\" src=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld.jpg\" alt=\"\" width=\"1281\" height=\"1920\" srcset=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld.jpg 1281w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-200x300.jpg 200w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-683x1024.jpg 683w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-768x1151.jpg 768w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-1025x1536.jpg 1025w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-600x899.jpg 600w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-750x1124.jpg 750w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-04-Fernanda-Eisfeld-1140x1709.jpg 1140w\" sizes=\"(max-width: 1281px) 100vw, 1281px\" \/><figcaption id=\"caption-attachment-53900\" class=\"wp-caption-text\">Dona Mudesta &#8211; Imagem do Ensaio Mulheres de Mocambo, de Fernanda Eisfeld, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n<figure id=\"attachment_53902\" aria-describedby=\"caption-attachment-53902\" style=\"width: 1920px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-53902\" src=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld.jpg 1920w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-300x169.jpg 300w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-1024x576.jpg 1024w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-768x432.jpg 768w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-1536x864.jpg 1536w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-600x338.jpg 600w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-750x422.jpg 750w, https:\/\/fotodoc.com.br\/wp-content\/uploads\/2025\/07\/PPF2025-5-520-05-Fernanda-Eisfeld-1140x641.jpg 1140w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-53902\" class=\"wp-caption-text\">Imagem do Ensaio Mulheres de Mocambo, de Fernanda Eisfeld, selecionado no Pr\u00eamio Portf\u00f3lio FotoDoc 2025<\/figcaption><\/figure>\n<p class=\"ds-markdown-paragraph\"><em><strong>Tell us about your finalist work for the FotoDoc Photo Contest 2025. When and where was it created? What is its concept? How does it fit into your photographic practice?<\/strong><\/em><\/p>\n<p>Oxum in Len\u00e7\u00f3is Maranhenses was documented during the filming of the movie Mocambo by Gustavo Havelange. It is a still, but it carries the intensity of a living portrait, the encounter between body and territory. The presence of Oxum, the orisha of fresh waters, reverberates in the vast white and liquid expanse of the Len\u00e7\u00f3is, evoking healing, fertility, and protection. Behind the beauty, there is the silent tension of a Maranh\u00e3o that, in its Amazonian portion, sees traditional communities and territories threatened by the advance of land grabbing, deforestation, and monoculture. The photograph is, thus, both memory and resistance: a gesture to preserve, in light and color, that which insists on surviving.<\/p>\n<p class=\"ds-markdown-paragraph\"><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><strong>What projects are you currently working on? What are your near-future plans for photographic production?<\/strong><\/em><\/p>\n<p>At the moment, I am working on two projects: a photobook with images and accounts from the hitchhiking expedition from Berlin to Beijing &#8211; Buscando a bondade pelo mundo (Seeking Kindness Around the World), carried out with my brother in 2018; and I am also conducting documentary research on the transformation of Curitiba&#8217;s urban landscape over time, re-taking my grandfather&#8217;s photographs in the same locations and analyzing what still remains.<\/p>\n<p>I remain close to traditional and local communities, researching habitat as hybrid forms of narration: between photography, drawings, and the word. I will continue to document these territories, building a living archive of affections, memories, and resistances. A breath for new possible worlds.<\/p>\n<h2><a href=\"https:\/\/fotodoc.com.br\/en\/contest\/finalists-2025\/\"><em>Click here and discover FotoDoc Photo Contest 2025 Finalists<\/em><\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Born 34 years ago in Curitiba and now based in S\u00e3o Paulo, Fernanda Eisfeld builds a nomadic trajectory that unites photography, architecture, and ancestry. With work that spreads across territories and continents, she transforms the camera into an instrument for listening to spaces, developing the concept of &#8220;affective documentation of habitats.&#8221; Her relationship with imagery [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":53922,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jnews-multi-image_gallery":[],"jnews_single_post":{"subtitle":"","format":"standard","override":[{"template":"2","parallax":"1","fullscreen":"1","layout":"no-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"hide","share_float_style":"share-monocrhome","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","show_post_reading_time":"0","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"0"}],"image_override":[{"single_post_thumbnail_size":"no-crop","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[1298],"tags":[2782,1288,2678,2722,2776,2724],"edicao":[],"status_da_inscricao":[],"coauthors":[771],"class_list":["post-56241","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-profiles","tag-cinema-en","tag-destaque-2025-en","tag-fernanda-eisfeld-en","tag-perfil-en","tag-premio-portfolio-fotodoc-2025-en","tag-retrato-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fernanda Eisfeld: Where Sacred Water Meets the Sands of Time - FotoDoc<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fotodoc.com.br\/en\/profiles\/fernanda-eisfeld-where-sacred-water-meets-the-sands-of-time\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fernanda Eisfeld: Where Sacred Water Meets the Sands of Time - FotoDoc\" \/>\n<meta property=\"og:description\" content=\"Born 34 years ago in Curitiba and now based in S\u00e3o Paulo, Fernanda Eisfeld builds a nomadic trajectory that unites photography, architecture, and ancestry. 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