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33 Sketchbook

33 Sketchbook

László Gabor BeliczaPorLászló Gabor Belicza
11 de março de 2026
em Portfólio

Selecionado no Prêmio Portfólio FotoDoc 2026

The search for order between humanity and nature has perhaps never been so contradictory and tragic. The pursuit of artificial harmony intertwines with my personal struggles, such as the question: Is it the right decision to have children?

In examining the relationship between nature and humanity, I raise questions that are both alarming and fascinating. We often think about nature in extremes: either we approach it with complete humility or with total domination. The removal of living beings from their natural environment, along with the massive scale of human intervention, can be just as pernicious as the instinctive and selfish destruction that is often overlooked. The harm is clearly beyond humility, and the consequences are already perceptible, perhaps even something we experience on a daily basis. We rarely ask ourselves what a child born today will face when they reach the age of eighty. What intrigues me is the reason I am deeply concerned about this issue. I don’t want to be just another photographer who draws attention to climate change: we are all aware of it, and yet we observe it from a distance as we become more and more involved.

All of this manifests differently for each individual. My visual response is a long process of self-reflection about what I truly consider important to show. This is almost synonymous with self-indulgence. Nonetheless, my hopeful response to my own question is that the transformed form of nature can also be the subject of humanity’s unconditional love. Even if the transformation is not favorable to us, it may ushed in an uncertain future of our stubborn independence.

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László Gabor Belicza

László Gabor Belicza

László Gábor Belicza's photographs are defined by contemplative tranquility. In these images, a lyrical world boldly draws the viewer in, allowing them to partake in the harmony that permeates each work. The pictures, created with delicate sensitivity, explore the relationship between humanity and the natural environment while also raising questions that often exist in contradictory forms. What is humanity's place in nature? Why has our relationship with nature gone astray? What possibilities exist for harmonious coexistence? Behind these questions lies a love for nature. However, Belicza’s work is motivated primarily not by this love, but by the elemental need for artistic expression. This entails a heightened creative sensitivity that plays a role in discovering even the smallest details, yet it also manifests in other ways. This sensitivity makes Belicza receptive to the processes of the external world—processes that he not only portrays in his images, presenting various issues, but also expresses his own experiential reality by crafting individual narratives. His photographs transcend the boundaries of documentary or sub-documentary genres, establishing an independent framework. In this way the artistic practice imbues the nature-related imagery with the results of his inner work—every thought, concern, love, empathy, or sense of strangeness. The photographs emerging from a complex creative world speak in a clear language; rather than moralizing or philosophizing, Belicza’s series are characterized by open and honest images. Together, these works outline a vast creative journey, forming an oeuvre that tells a singular, compelling story. The experience of unity captivates the viewer every time they encounter these photographs. Benedek Szabo, aesthete

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