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Deep Red

A maiden nun turns her head towards the camera in a pious group of prayers. Some children are sent monastery at an early age to practice asceticism.

Deep Red

Jian LuoPorJian Luo
14 de abril de 2026
em Portfólio

Selecionado no Prêmio Portfólio FotoDoc 2026

In Tibet, red is traditionally the color of robes and temples. It is the symbolic color of Tibetan Buddhism, and it also represents chastity and perseverance. For centuries, the lives of Tibetan people have revolved around religion. Beyond collective faith and monastic practice, religion permeates every aspect of daily life — from festivals, clothing, and architecture to political order and social hierarchy — turning life itself into a continuous ritual.

Since 2006, with the opening of the first railway across the plateau, Tibet has witnessed the construction of additional railways, highways, bridges, dams, and other infrastructure projects. The once formidable geographical barriers have gradually been overcome, and the urban development model and lifestyle from mainland China are beginning to challenge the long-standing traditions of the Tibetan people.

Amid the pressures of modern civilization and urbanization, the traditional way of life is undergoing transformation. The red religion, now framed by a red regime, leaves everyone — monks and ordinary people alike — facing an uncertain future. Deep Red documents traditional religious life in Tibet during this period of transition.

 

 

 

An elder monk stands guard at the Yaowang temple by
himself.
Young monks peep over the fence to look outside the
monastery.
A nun prays alone in the temple. Due to the cold climate on
the plateau, temples prefer using warm and bright colors to
decorate the interior.
A nun passes by past the meditation cubes in the hill.
Nuns pass by their houses, nun’s houses and the
meditation cubes topped form a unique loft structure.
In a Buddhist debate, the standing Challenger poses
questions to the sitting Defender while the rest of the group
watches.
A monk on the roof observes his surroundings. The space
of the monastery is almost occupied by residential buildings.
Young monks waiting in front of the prayer hall for their
class to begin in the cold weather.
A queue of pilgriming Tibetans by the riverside during the
Tibetan New Year.
A family pilgrimage around Mount Kailash, one of the most
important pilgrimages for Tibetan Buddhists.
Red log cabins inhabited by monks cover the hillside.
Buddhists gather at the temple to chant sutras during the
New Year.
A pilgrim bowing to the Lama teaching in the prayer hall,
his body merging with the halo created by the lighting design.
A large pile of Mani stones piled up by pilgrims over the
years on the way.

Inscreva-se no Prêmio Portfólio FotoDoc 2026

Jian Luo

Jian Luo

Jian Luo is a Chinese photographer based in Paris and Beijing. His works have been exhibited in China, France, Germany, Italy, Switzerland, UK… and are in the permanent collection at MUSEC Museum in Switzerland and Swatch Art Peace Hotel in China. He seeks to uncover the underlying connections between people and modern society and present them through his lens. Influenced by Henri Cartier-Bresson’s idea of the decisive moment, He believes that there is a certain truth that exists both inside and outside of the lens, although it may take time to confirm.

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