FotoDoc
  • HOME
  • PRÊMIO
    • Prêmio Portfólio FotoDoc 2025
      • Regulamentoinscreva-se!
      • Selecionados
      • Diretrizes
    • Prêmio Portfólio FotoDoc 2024
    • Prêmio Portfólio FotoDoc 2023
  • FESTIVAL
    • Festival FotoDoc 2025
    • Festival FotoDoc 2024
    • Festival FotoDoc 2023
    • Festival FotoDoc 2022
  • CONTEÚDO
  • LOJA
    • Carrinho
    • Finalização de compra
  • SOBRE
    • Festival FotoDoc
    • Escola Panamericana
  • Português
  • Inglês
Nennum resultado
Ver todos os resultados
  • HOME
  • PRÊMIO
    • Prêmio Portfólio FotoDoc 2025
      • Regulamentoinscreva-se!
      • Selecionados
      • Diretrizes
    • Prêmio Portfólio FotoDoc 2024
    • Prêmio Portfólio FotoDoc 2023
  • FESTIVAL
    • Festival FotoDoc 2025
    • Festival FotoDoc 2024
    • Festival FotoDoc 2023
    • Festival FotoDoc 2022
  • CONTEÚDO
  • LOJA
    • Carrinho
    • Finalização de compra
  • SOBRE
    • Festival FotoDoc
    • Escola Panamericana
  • Português
  • Inglês
Nennum resultado
Ver todos os resultados
FotoDoc
Nennum resultado
Ver todos os resultados
Sanctuaria

Yannieck Schoonhoven, the co-founder of the Regeneration Academy, her daughter Elena, and Taiga, the dog, walk towards their home in La Junquera farm. She came to work just a few weeks in 2016 and she decided to stay.

Sanctuaria

Ana PalaciosPorAna Palacios
1 de maio de 2025
em Ensaio

Selecionado no Prêmio Portfólio FotoDoc 2025

‘Sanctuaria’ is a photo essay that explores life in animal sanctuaries and secure spaces for animal welfare. Adherent to these places is not only their love for animals but a philosophy of environmental conservation. They are also a new sustainable and transformative proposal for a different relationship between nature and humans based on a respect for animals and, furthermore, respect for the planet’s limited resources that – at the present time – are being devastated by factory farming increasing the greenhouse effect and global warming.

The close relationship between this sector and the degradation of the Earth – in the form of pollution, deforestation, and desertification – is at the center of sanctuaries agenda. They advocate for new ways of protecting nature, covering a radical change in the dynamics of consumption and the current economic and social paradigm.

‘Sanctuaria’ seeks to foster a critical reflection on the coexistence between humans and non- human animals. Through a documentary and journalistic approach, this project aims to highlight the complexity of these initiatives and their significance within a broader debate on respect, rights, and ethics in our relationship with animals.

At Gaia, every four months, the sanctuary’s staff deworms all the birds at the sanctuary (ducks, geese, chickens, and turkeys). To do so, the staff treat each bird individually, applying a spray under each wing to free the birds of fleas, lice, etc., and giving each bird a few drops of syrup (Fembendazole), depending on the animal’s weight, to get rid of internal parasites. Veterinary protocols and routines are meticulously observed at the sanctuary. Carla is taking the birds out one by one for a better performance on thedeworming.
Armonía, tiene cinco días y ha sido rescatada de ser sacrificada porque tiene una fractura en la tibia y sus dueños no se podían hacer cargo de una oveja enferma.
En octubre de 2020, Gaia tiene 169 ovejas y cabras de un total de 534 de los llamados animales de granja. Todos ellos fueron rescatados tras ser abandonados o decomisados por la policía. Cada animal tiene un nombre y un patrocinador que paga la comida y los gastos veterinarios. Estos santuarios no reciben fondos públicos y se financian exclusivamente a través de donaciones realizadas por donantes privados. Gaia cuenta actualmente con dos mil socios, o patrocinadores, que aportan el dinero necesario para cubrir los gastos generales del santuario, que ascienden a unos 30.000 € mensuales. Armonía permanecerá en la finca hasta que muera de muerte natural como el resto de animales de este santuario.
Five day old Armonia, at the Gaia sanctuary, was rescued from being sent to the slaughterhouse; she has a fractured tibia and her owners couldn’t take care of a sick sheep.
As of October 2024, Gaia has 169 sheep and goats out of a total 534 so-called farm animals. All of them were rescued after being abandoned or seized by the police. Each animal has a name and a sponsor who pays for their food and veterinary expenses. These sanctuaries do not receive any public funds and are financed exclusively through donation made by private donors. Gaia currently has two thousand members, or sponsors, who contribute the money necessary to cover the sanctuary’s overhead expenses, which amount to about €30,000 a month. She will remain on the estate until she dies a natural death like the rest of the animals at this sanctuary.
“I got the deer tattoo because I love deer. In this case, this tattoo doesn’t symbolize anything in particular. It was an aesthetic decision, and I really love it.” Coque Fernandez Abellá, veterinarian and co-founder of the Gaia sanctuary.
“I got the deer tattoo because I love deer. In this case, this tattoo doesn’t symbolize anything in particular. It was an aesthetic decision, and I really love it.” Coque Fernandez Abellá, veterinarian and co-founder of the Gaia sanctuary.
Yanniek Schoonhoven holds a basket with fresh eggs just collected from their farm hens at La Junquera farm (Murcia, Spain).
“Since I wanted to show one of the most powerful parts of medieval blacksmithing, I was preparing massive iron dons to weld them to “calda”, that is to say, the ancient way of welding without electricity. It was an attempt to project some human faction in the iron, without any kind of metric, using what I had around me to then create a forest of misunderstood beings.
This particular bird has been created for my friend Pierina Seinfeld, who is dedicated to transforming individual elements and hanging them in order to find a constant moving balance between them.” Iñigo Flores, artist.
This iron bird was created by Iñigo Flores, blacksmith artist, at his workshop in La Junquera for his friend Pierina Seinfeld, who is dedicated to transforming individual elements and hanging them in order to find a constant moving balance between them.
“Since I wanted to show one of the most powerful parts of medieval blacksmithing, I was preparing massive iron dons to weld them to “calda”, that is to say, the ancient way of welding without electricity. It was an attempt to project some human faction in the iron, without any kind of metric, using what I had around me to then create a forest of misunderstood beings.
This iron bird was created by Iñigo Flores, blacksmith artist, at his workshop in La Junquera for his friend Pierina Seinfeld, who is dedicated to transforming individual elements and hanging them in order to find a constant moving balance between them.
Daga and Itak are Gaia sanctuary’s oldest inhabitants. These two horses, a mother and son, were already on the estate before Gaia acquired and rented the thirty-three acres to set up the sanctuary near Camprodón, in Girona. The horses had both been used for riding, and the sanctuary decided to keep them. They now live free in the forest inside the sanctuary, in an area somewhat far removed from the other.
Daga and Itak are Gaia sanctuary’s oldest inhabitants. These two horses, a mother and son, were already on the estate before Gaia acquired and rented the thirty-three acres to set up the sanctuary near Camprodón, in Girona. The horses had both been used for riding, and the sanctuary decided to keep them. They now live free in the forest inside the sanctuary, in an area somewhat far removed from the other animals. But they will soon begin a period of adaptation to help them get used to living with the other animals.

Inscreva-se no Prêmio Portfólio FotoDoc 2025

Ana Palacios

Ana Palacios

Ana Palacios is a visual journalist dedicated to documenting human rights, environmental issues, and animal welfare. Her work is regularly published in major international media, including National Geographic, The Guardian Weekend Magazine, CNN, El País Semanal, Die Zeit, 6 Mois, and Geo Germany. She has held solo exhibitions at venues such as Círculo de Bellas Artes (Madrid, Spain), the French Alliance (Dar Es Salaam, Tanzania), and Casa delle Donne (Rome, Italy). Ana has been nominated for the Leica Oskar Barnack Award in 2021, 2022, and 2025. She has received prestigious grants, such as the Emergency Fund for Journalists from the National Geographic Society. Additionally, she was selected for the New York Times Portfolio Review. Since 2023, she has been a mentor for the Canon Europe Student Development Programme. She is an active member of prominent photography organizations, including Women Photograph and We Animals Media. She has published three books: “Albino”, documenting the plight of albino communities in Tanzania, “Art in Movement” exploring art as a tool for social change in Uganda and "Slave children: The Back Door" focusing on the reintegration of enslaved children in West Africa. She has also directed her first documentary on this last topic available on Filmin.

Conteúdo relacionado

Relacionado Posts

Rebellion
Ensaio

Rebellion

Rebellion é um conjunto de imagens produzidas por um policial-fotógrafo em meio a uma rebelião carcerária. Mais do que registro,...

PorRicarjones
19 de maio de 2025
Entre Água e Céu: A Vida dos Uros no Lago Titicaca
Ensaio

Entre Água e Céu: A Vida dos Uros no Lago Titicaca

Entre céu e água, os Uros constroem um mundo que flutua — literalmente — sobre o Lago Titicaca. Neste ensaio,...

PorDheyson Alves
19 de maio de 2025
Cada qual com seus Mortos
Ensaio

Cada qual com seus Mortos

A morte se revela em rituais que traduzem a alma de cada cultura. Este ensaio explora duas formas únicas de...

PorDemétrio Jereissati
19 de maio de 2025
Aldeia Guarani
Ensaio

Aldeia Guarani

A luta dos povos originários pela edução de qualidade.

PorClayton Ribeiro
19 de maio de 2025
Estudos sobre o delírio
Ensaio

Estudos sobre o delírio

No processo criativo, Lais Mazzucco constrói invenções delirantes, considerando, a partir da psicanalise, que o delírio pode ser uma possibilidade...

PorLaís Mazzucco
16 de maio de 2025
Ano novo Andino, a cultura boliviana em São Paulo
Ensaio

Ano novo Andino, a cultura boliviana em São Paulo

As imagens a seguir retratam a celebração do Ano Novo Andino, também conhecido como Willkakuti (em aimará) ou Inti Raymi...

PorLeonor Hills
16 de maio de 2025
  • HOME
  • PRÊMIO
  • FESTIVAL
  • CONTEÚDO
  • LOJA
  • SOBRE
  • Português
  • Inglês
Nennum resultado
Ver todos os resultados
  • HOME
  • PRÊMIO
    • Prêmio Portfólio FotoDoc 2025
      • Regulamento
      • Selecionados
      • Diretrizes
    • Prêmio Portfólio FotoDoc 2024
    • Prêmio Portfólio FotoDoc 2023
  • FESTIVAL
    • Festival FotoDoc 2025
    • Festival FotoDoc 2024
    • Festival FotoDoc 2023
    • Festival FotoDoc 2022
  • CONTEÚDO
  • LOJA
    • Carrinho
    • Finalização de compra
  • SOBRE
    • Festival FotoDoc
    • Escola Panamericana
  • Português
  • Inglês

Vertente Fotografia © 2023